The screenplay was written by Tito Carpi, Gianfranco Clerici and Renzo Genta, and tells the story of a man trying to escape from a jungle island inhabited by a native cannibal tribe. Decades later, the elder Bernstein’s message still rings true: “Unless the world learns the lesson these pictures teach, night will fall.Ultimo mondo cannibale (1977 English: Last Cannibal World, UK theatrical title: Cannibal, also known as Jungle Holocaust) is a cannibal exploitation film directed by Ruggero Deodato, which stars Massimo Foschi, Me Me Lai and Ivan Rassimov. “This is part of our humanity,” he explained. “People are still doing this to other people around the world, whether it’s Myanmar, Iraq, or Africa,” said David Bernstein, Sidney’s son, during a panel discussion at the film’s screening. More relevant today than the typical propaganda picture, “Factual Survey” puts faces to statistics of the victims, but it also gives us a glimpse into the dynamics of survival even as fewer and fewer of those who lived through the camps are around to tell their stories.Īnd then, there’s the film’s enduring lesson. This is understandable, but it would be a shame and a missed opportunity if the film was lost to history. This, along with other inaccuracies in the film, including a gross exaggeration of the number of people killed at Auschwitz, are some of the reasons the Imperial War Museum is hesitant to distribute the film widely. Britain also had to deal with burgeoning Jewish demands for a state of their own in Palestine, and releasing a film emphasizing the true extent of the Nazi’s efforts might increase unwanted pressure on the British government. At the time, the fate of Europe’s Jews was still seen as an “embarrassment to the Allies,” as Richard Cohen puts it. This glaring absence is not necessarily surprising, however, given the prevailing attitudes. It focuses on the universal, rather than specific tragedy. The voiceover enumerates all the different nationalities and religions in the camps, mentioning Jews several times, but it gives no specifics about their systematic extermination. “It feels as if the whole human story is there,” says Raye Farr, a former director of the permanent exhibition at the US Holocaust Museum who was interviewed in “Night Will Fall,” a 2014 HBO documentary about the making of “German Concentration Camps Factual Survey.” Just as much as the film is about death, it’s about life as well.īut there is something crucial missing in the account that “German Concentration Camps Factual Survey” gives of the Holocaust.
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